設(shè)計(jì)師簡(jiǎn)介

蔣玉生

江蘇本意設(shè)計(jì)設(shè)計(jì)總監(jiān)  

泰州資深設(shè)計(jì)師代表

高級(jí)室內(nèi)建筑師

第三屆日本IDPA AWARD國(guó)際先鋒設(shè)計(jì)大獎(jiǎng)賽

2020-2021年度TOP100國(guó)際影響力創(chuàng)新設(shè)計(jì)師

案例分享

項(xiàng)目名稱：百味樓

項(xiàng)目位置：江蘇   泰州

項(xiàng)目面積：950㎡

項(xiàng)目設(shè)計(jì)：本意空間

項(xiàng)目施工：泰州大道建設(shè)工程有限公司

項(xiàng)目主創(chuàng)：蔣玉生

參與設(shè)計(jì)：丁正銳 高振 俞姝婧

項(xiàng)目攝影：ingallery

項(xiàng)目視頻：ingallery

主要材料：水泥磚、天然原木、水磨石、微水泥等

百味，謂調(diào)和百種也。

Hundred taste, that is to reconcile a hundred kinds of also.

人生如飲食，酸甜苦辣就像人生百態(tài)，百味人生，人生百味，設(shè)計(jì)亦是如此。

Life is like a diet, sour, sweet, bitter and hot like life, life, life, design is so.

設(shè)計(jì)師深諳其道，用自然的理念來(lái)對(duì)空間進(jìn)行演繹，用最原始的灰泥及水泥磚作為主要肌理，以木、藤、竹的原始質(zhì)感進(jìn)行構(gòu)造，傳遞出空間溫潤(rùn)質(zhì)樸的東方美學(xué)。

The designer understands the concept of nature and interprets the space with the most primitive stucco and cement brick as the main texture. The original texture of wood, rattan and bamboo is used to construct the space, conveying the warm and simple Oriental aesthetics.

設(shè)計(jì)師對(duì)建筑的內(nèi)在空間進(jìn)行了合理化布局，摒棄了復(fù)雜多余的裝飾，用簡(jiǎn)約干凈的手法緩和空間氛圍，豐富空間層次，既有隔斷，又有通透，打破了傳統(tǒng)的分割，私密且不壓抑。運(yùn)用虛與實(shí)、光與影、動(dòng)與靜的手法，結(jié)合小景陳設(shè)以及光影效果引人入勝，體驗(yàn)“柳暗花明又一村”的美好。

The designer has carried out a reasonable layout of the inner space of the building, abandoned the complex and redundant decoration, and used a simple and clean method to ease the space atmosphere and enrich the space level, both partition and transparency, breaking the traditional division, private and not repressed. The use of virtual and real, light and shadow, moving and quiet techniques, combined with the small display and light and shadow effect is fascinating, experience the beauty of "a village with dark and bright".

鏤空、透明形式的處理手法，既能與清水混凝土的肌理統(tǒng)一，同時(shí)又能引進(jìn)光影效果，增加趣味性。陰翳中的光影灑下，強(qiáng)化了寧?kù)o之感，光線從熹微到明亮，起承轉(zhuǎn)合，賦予了景物不同的感受。

The treatment technique of hollow and transparent form can not only unify with the texture of fair-faced concrete, but also introduce light and shadow effect to increase the interest. The shadow in the shade enhances the sense of tranquility, and the light turns from pale to bright, giving the scene a different feeling.

對(duì)于包廂，設(shè)計(jì)師在延續(xù)質(zhì)樸的意境上，搭配了寫(xiě)意手法，運(yùn)用燈光、吊頂設(shè)計(jì)，賦予空間張力。墻面的處理營(yíng)造出“水墨固昏淡，骨氣猶深潛”的意蘊(yùn)，讓其氣質(zhì)稍有不同。設(shè)計(jì)師希望客人自鬧市而來(lái)，步入空間能適度的體會(huì)寧?kù)o。

For the box, the designer in the continuation of the simple artistic conception, with freehand approach, the use of lighting, ceiling design, give space tension. The treatment of the wall creates the implication of "ink solid faint, backbone still deep dive", so that its temperament is slightly different. The designer hopes that guests will come from the downtown and walk into the space to experience the serenity.

露臺(tái)上，光線故意從縫隙中溜入，在侘寂的空間中灑下斑駁的樹(shù)影，似有“暖日當(dāng)暄，又添蛩語(yǔ)”的絕妙之感，食與景相得益彰 。

Terrace, deliberately from gap ZhongLiu into the light, in the space of wabi-sabi sprinkle mottled shadows, seems to have a "warm day when Xuan, added Qiong words" wonderful feeling, food and scenery bring out the best in each other.

整個(gè)設(shè)計(jì)浸透著東方的意蘊(yùn)，同時(shí)將現(xiàn)代美學(xué)糅合其中，一境一景、一器一物皆優(yōu)雅呈現(xiàn)。

The whole design is imbued with the Oriental connotation, at the same time, the modern aesthetic blend, a scene, a piece of elegant presentation.